Poetry

“Poetry”

I, too, dislike it: there are things that are important beyond all this fiddle.
*****Reading it, however, with a perfect contempt for it, one discovers in
*****it, after all, a place for the genuine.
***********Hands that can grasp, eyes
***********that can dilate, hair that can rise
*****************if it must, these things are important not because a

high-sounding interpretation can be put upon them but because they are
*****useful. When they become so derivative as to become unintelligible
*****the same thing may be said for all of us, that we
***********do not admire what
***********we cannot understand: the bat
*****************holding on upside down or in quest of something to

eat, elephants pushing, a wild horse taking a roll, a tireless wolf under
*****a tree, the immovable critic twitching his skin like a horse that feels a flea
*******************************************************the base-
*****ball fan, the statistician—
***********nor is it valid
*****************to discriminate against “business documents and

school-books”; all these phenomena are important. One must make a *******************************************distinction
*****however: when dragged into prominence by half poets, the result is not
*************************************************poetry,
*****nor till the poets among us can be
***********“literalists of
***********the imagination”—above
*****************insolence and triviality and can present

for inspection, “imaginary gardens with real toads in them,” shall we have
*****it. In the meantime, if you demand on the one hand,
*****the raw material of poetry in
***********all its rawness and
***********that which is on the other hand
*****************genuine, you are interested in poetry.

********************************************—Marianne Moore

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~ by releasethebadgers on August 4, 2009.

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